Beth Adams: "We felt it was crucial to run a fair and strictly anonymous contest, and have the winning book be of the highest quality, both in its online and print forms. We also wanted to recognize as many of the top manuscripts as we could, which is why we chose and published a poem from each of the 10 shortlisted chapbooks, with audio and an author bio. The work was stunningly good, I thought — I was often moved to tears while choosing these poems at the end."
"It was already clear that his own special study would be the physics of light, and he was naturally drawn to the poem of that name, and learned its last dozen lines by heart."
"There is a distinguished list of 'significant others' in cultural history – usually wives or lovers or sisters of celebrated writers, artists and musicians who are famous for their proximity to the celebrated person, rather than their own achievements..."
Two video clips are included in this broadside as well -- from Time Magazine and the One & Other project.
At the first meeting between the poets and police officers, Lt. Sauschuck said, 'I gotta be honest with you, Marty, if you gave me a choice between writing a poem or fighting four guys at the same time in the street out there, I'd be fighting those four guys right now.' A few seconds later, poet Annie Finch sighed and said in a forlorn tone, 'Me too. Writing poetry is hard.'[via Stick Poet Super Hero]
"Imagine reading some of these titles to Whitman, Keats, or Blake, and explaining that these are the titles of books of poems. The sound of their bemused, bewildered, and ultimately uncomfortable laughter is a sound that haunts our age."
"Firstly, you must pay. It is simply not OK to treat authors as a public service. Authors may seem to have a lovely carefree life, or to be so low-paid that another day of penury simply doesn't matter, but in fact we all work extremely hard and our time is worth something. It may only be £100 or it may be ten times that. But offering only biscuits is an insult. We can get biscuits at home, thanks."
If literature is food for the mind, then a poem is a banquet, according to research by Scottish scientists which shows poetry is better for the brain than prose.
So, what does this mean for us poets? Poetry rarely pays well, and most poets remain obscure throughout their lives and even after death. As Doctorow and other advocates say, the danger for authors lies not in "piracy" but in obscurity. But with the use of a Creative Commons license, it becomes easier to distribute one's works.
"Another day, another poem. I turn the page of the three-year Alhambra Poetry Calendar (selected by Shafiq Naz, Belgium; see www.alhambrapublishing.com) which Paul Kane introduced us to a couple of years ago. It's the 21st September, 2009. In 2008 it fell on a Sunday, this year it's Monday. Page 342's poem is (surprise --genuine surprise) : Coventry Patmore's To The Body. At last! I think aloud, --A POEM!
The trouble with this poem is that it is too well-known for its own good. I'm trying, without much success, to remember the first time I read it. It seems always to have been among the poetry furniture in my head, and so I can't really ever recapture the first electrifying effect of my first encounter with it. But electrifying it was, that I recall, and it is good now to have the challenge of re-assessing this over-familiar poem and experience it as the new.
"Tell someone you're a poet and their reaction will rarely be a brisk nod and an even 'right you are then'. More likely they will suddenly regard you in one of two ways - either with undeserved and inappropriate wonder or, more often, with equivalent and barely-concealed contempt. In the latter instance, their reaction seems to say: 'A poet? What's the point of that?'"
"A biography which gives more than name and past works is at fault because it inevitably influences the reading of a poem."
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"It is now six months since Craig Arnold died — or vanished, as most notices have termed it."
"Black and minority ethnic poets don't always behave in the expected way for poets; that is, they don't always sit down and write in standard English about Greek myths. Perhaps that's why they struggle to get into print. In 2004, writer-critic Bernardine Evaristo discovered that fewer than 1% of those published by mainstream poetry presses were non-white."
'The passage of twenty-five years has not diminished the relevance of [these] poems. As I have followed Christina Pacosz's work, I have been impressed by her vision of the world, beset as it is by the problems she addresses. If poetry is to be returned to circulation after a time in the dark, let it be the poetry that exposes recurring concerns and shows determination to deal with them.'
"I vividly remember reading "Zelkova Tree", the very first poem we published in Cha, for the first time. It triggered my memory of reading Ovid’s Metamorphosis. In Book IX of that book, the nymph Dryope unknowingly plucks a flower of the lotus tree, which is actually another nymph (Lotis). Because of this crime, Dryope is turned into a black poplar. Before the transformation runs its full course, however, she has enough time to utter a message for her son, warning him to be cautious: ‘let him fear the pool, pluck no blossoms from the trees, and think all flowers are goddesses in disguise!’ (Ovid’s Metamorphosis Book IX, 380-81). Apart from pointing out the changeability of all life forms, one can also say Metamorphosis is highly eco-conscious. All these plants and animals are incarnations of others; you are imprudent to poke, pluck and part them, for you cannot be sure what they really are: they may be someone you know!"
Wendy Cope: Yes to the first question. Writing parodies of male poets was one way that I rebelled against male ideas about how we should write. The first poems of mine that got published were literary jokes that made male poets laugh. Some of them probably think those were the only good poems I ever wrote. I don’t think the gender of the Poet Laureate is important. I don’t think the Laureateship is important. I am on record as saying that I would be happy to see it abolished.